"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues. Gherman’s film is, in a sense, a response to his father’s war film 20 Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations. 最后的列车 Последний поезд,由秋霞电影网收集来源于腾讯视频、爱奇艺、优酷网、以及m3u8在线资源等,本站除了提供热播的国产电视剧和韩国电视剧之外,还提供高清的电影,全部都免费播放,如果你没有找到想看的影视作品,可以给我们留言,让我们帮您寻找。最后秋霞电影网提醒您:注意保护自己的眼睛,播放最后的列车 Последний поезд的同时,注意眼睛与手机/电脑的距离,不可离的太近,也不可长时间观看,注意适当的休息。